The art of war. In the fourth century B.C., General Sun Tzu wrote a book on military strategy that is often very successful today among yuppies and entrepreneurs. It was entitled The Art of War and some of its lessons can be applied to the mother of all battles, which is life itself, the everyday realm of our emotions. ‘The best victory is to win without fighting’, says the old Chinese general, and this is what usually happens in the theatre of operations of love. This is the stage chosen by the dancer Eduardo Guerrero to stage his show, which bears his polysemic surname.
On this occasion, the dancer focuses on his relationship with women: his mother, his lovers, his friends, in this borderline territory in which sentimentality coexists with sensuality but overcomes the two vital temperatures, until he finds a bridge between genders and sexes that we usually call a person. This is, broadly speaking, his pretext, that of making war an art. But his best army is himself, escorted by the vocals of Anabel Rivera, Samara Montáñez and May Fernández, but with first-rate musical ammunition, provided by the guitars of Javier Ibáñez and Juan José Alba.